Hoboken-based artist Raisa Nosova was two months pregnant when Russia bombed Kiev. With close family and friends in Ukraine, she felt overwhelmed with anguish at a particularly vulnerable time in her life. Eager to assist the victims of the horrific war, she set up a page on her website featuring original ART FOR UKRAINE. All of the proceeds from the sale of her paintings “went directly to the battlefield delivering medicine and food to trapped Ukrainians.”
But driven by anger and pain, she was determined to do more to raise money and to raise awareness of the Ukrainian people’s precarious plight. After speaking to a Ukrainian family who owned a gas station near Journal Square in Jersey City, she began bringing her vision to the public with a large-scale mural, “Uprooted.” The image pictured above features Raisa Nosova at work on “Uprooted.” Several more images shared by the artist follow:
And here you can check out Raisa‘s video to find out more about her mission:
Note: Raisa has been directly on contact with 1. a woman in Ukraine who has been organizing medicine purchase and delivery directly to destroyed cities; 2. an OBGYN/childbirth hospital in Kyiv, and 3. a circle of psychologists who are volunteering to work with adults and children in bombed cities.
Donations can be sent directly by mail to — Raisa Nosova, P O Box 2617, Hoboken NJ 07030
All photos courtesy of the artist; photo 1, 4 & 5 by Joey Palmieri
Painting a playground in the local neighbourhood in collaboration with @projekt.ihrisko My SHOP: https://dokeco.com/ ------------------------------------------ FOLLOW ME: Facebook : http://on.fb.me/1NK2053 Instagram : @doketv TikTok: @doketv ------------------------------------------ CONTACT ME: Email : doketv.info@gmail.com ------------------------------------------ Video Edit by: Insta: https://ift.tt/287dGDT YouTube: http://bit.ly/33h39R2 ------------------------------------------ Painting supplies by: https://ift.tt/PfIt0pk https://www.youtube.com/user/montanacans1 ------------------------------------------ MUSIC : Epidemicsound.com #Subscribe
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MIMA, the Millennium Iconoclast Museum of Art in Brussels, hosts Invader Rubikcubist, a solo exhibition by Invader.
Invader is the pseudonym of the anonymous, world-famous French urban artist whose majority of his work is modelled on the crude pixellation of the 1970s-1980s 8-bit video games. He took his name from the 1978 arcade game Space Invaders, and much of his work is composed of square ceramic tiles inspired by video game characters. His distinctive 4056 creations (to date) can be seen in many highly visible locations in more than 80 cities worldwide.
Invader continued pixel art representation that he had begun with the mosaic by reworking the famous six-coloured popular Rubik’s cube puzzle into a 3D medium for paintings and sculptures.
In 2003 Invader explored the link between pixel mosaics and the 1980s famous toy, and by 2005 the term Rubikcubism, which the artist invented, was born!
RUBIKCUBISM [roo-bic-kyoo-biz-uhm] (noun) : An art style and movement born in the early 21st century. It is characterised by the use of Rubik’s Cubes as an artistic medium. The artist Invader is the founder of Rubikcubism.
Rubikcubism was a nod to Braque and Picasso’s cubism and the Hungarian inventor of the cube, Rubik.
Invader Rubikcubistis the first exhibition entirely devoted to the artist’s ‘Rubikcubism’ works. Due to the size and limited six-colour palette of the cubes, these nearly abstract works only reveal themselves when you take a few steps back and squint your eyes, or nowadays with the use of a camera phone!
Invader Rubikcubist retraces nearly twenty years of creations in cubes and reveals more than a hundred works presented on the four floors of the MIMA museum. From the first sculptures to the series devoted to the figure of the villain (the Rubik Bad Men), to the masterpieces of art history revisited in six colours (Rubik Masterpieces) or to his ideal discotheque (Rubik Low Fidelity) this exhibition is must-see!
INVADER RUBIKCUBIST
24 June 2022 > 08 January 2023
MIMA
39-41, Quai du Hainaut
1080 Brussels
City-country: Originally from Cabo Frio, Rio de Janeiro, Brazil. I’ve lived in London for 17 years.
Active since: I’ve been tattooing for over 18 years now, specialising in lettering and the dark lettering tattoo. I am currently working at Sacred Gold Tattoo in London, Kings Cross.
First piece: My first wall I painted in London was in August 2020 in Stockwell, South East London and I was lucky to meet my partner in graffiti, Nerks who introduced me to that spot, and Chips from Wild Style café, which is the bestplace in London to get spray cans from, and is a great place to meet other graffiti artists too.
Favorite piece: I painted in Allen Gardens, Brick Lane, London, which is my favourite spot. I tried out a new colour scheme and letter style and was painting with some great people. In 2020 I attended the London mural Festival, which was such an amazing day to mix with different artists and see the amazing work being done out there. This year I’ve been invited to the London Tattoo Convention, in September and Sacred Lettering also has been invited, which will be a first time a graffiti and tattoo crew has attended, so I’m very excited and super proud. I’ve also been invited to the Rome Tattoo convention, in addition to the New York Tattoo convention in October.
Style:I am heavily influenced by the ‘dark lettering’ style, mixed in with some of the Gothic traditions, which I have developed into my own unique style; however, it’s always evolving as I grow.
Partners in crime: Very grateful to have Nerks, Nerok , Spyar, Dripper, my girl, Catmichogato.
During the first wave of the pandemic, several artists — largely working separately as they painted images onto plywood — joined forces to form the Soho Renaissance Factory. A diverse selection of these original works were salvaged and are on view through Tuesday, June 28 at ChaShaMa in Union Square. The exhibition, Beautiful Barriers: Street Art Beyond Walls, also features varied customized products including apparel, accessories, and skateboards in partnership with CocoRedoux. And joining the members of the Soho Renaissance Factory are guest artists Eyeantic, OPTIMONYC, Vanessa Kreytak, and 0H10M1ke.
The image pictured above was fashioned by the indigenous American multidisciplinary artist, Konstance Patton. Several more images captured while visiting the exhibition earlier this month follow:
Painting on a graffiti jam with a lot of lovely people around! My SHOP: https://dokeco.com/ ------------------------------------------ FOLLOW ME: Facebook : http://on.fb.me/1NK2053 Instagram : @doketv TikTok: @doketv ------------------------------------------ CONTACT ME: Email : doketv.info@gmail.com ------------------------------------------ Video Edit by: Insta: https://ift.tt/3gBcM0p YouTube: http://bit.ly/33h39R2 ------------------------------------------ Painting supplies by: https://ift.tt/GRCmq0W https://www.youtube.com/user/montanacans1 ------------------------------------------ MUSIC : Epidemicsound.com #Subscribe
by DokeTV via DokeTV
Held in the central district of Grünerløkka, Løkka-Lykke announced itself on the street art scene in 2021 with eleven artists producing site-specific works ranging from large-scale murals to small-scale interventions.
Among this year’s invited artists are Finnish duo Anetta Lukjanova and Taneli Stenberg, local graffiti legend Awat Serdashti, and Oslo-based up-and-coming painter Eva Hansen Sjøvold, who will paint the first LGBTQ+ mural in Norway.
Also participating is local artist Charlotte Nordlund – whose artwork will mark 50 years since the decriminalization of homosexuality in Norway – and Ukrainian artist SLAM, who arrived in Norway just a few months ago.
In addition, everyone from first-time painters to some of the city’s most respected graffiti artists are invited to experiment on centrally-located, temporary cellograffiti walls designed to highlight the need for more spaces for graffiti and street art in the city.
Curious audience members can get an introduction to street art and graffiti at a lecture by art historian Helia Darabi on Friday 24. June as well as learn all about the artists and stories behind the new works on guided tours on both Saturday 25. and Sunday 26. June.
All events are free, thanks to support from various partners, not least festival co-founders Løkka Gårdeierforening.
“Løkka-Lykke aims to make visible the richness of artistic talent in Oslo by inviting both new and established local artists to participate. This helps to ensure that the festival is rooted in the local artistic environment, something we’ve always believed should be the decisive hallmark of Løkka-Lykke.
We hope that the works of art and activities that make up Løkka-Lykke will encourage people, both young and old, to explore this much-loved and unique neighbourhood, and experience the positive effects that street art can have in building pride and belonging in the places we live.”James Finucane, Street Art Oslo
Løkka-Lykke 2022 takes place from 20.-26. June. For more information visit www.lokkalykke.no
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About the artists
Anetta Lukjanova (@anettalukjanova) and Taneli Stenberg (@dandysteele) are visual artists from Helsinki, Finland. Their murals often depict philosophical or allegorical subjects, in a style that can be described as modern magical realism.
Location: Christies gate 13
Awat Serdashti (@awat_bababoon) is a visual artist from Kurdistan who grew up in Kongsberg, Norway. He is one of Oslo’s most prolific graffiti artists, best known for his large-scale non-figurative paintings.
Location: Nordmørgata 4
Charlotte Nordlund (@cfsn_art) is a Norwegian street artist who mainly works with aerosol, stencils and site-specific sculpture. She is also project manager for Moss Pride and will mark the 50 years anniversary of the decriminalization of homosexuality in Norway through her work for Løkka-Lykke.
Location: several small-scale works of art
Dish (@dish_kunst) is a multi-disciplinary artist from London, now based in Bergen. Her works often depict women from a feminist perspective, combined with distinctly dark lines and tones.
Location: several small-scale works of art
Eva Hansen Sjøvold (@eva_h_sjoevold) is an Oslo-based artist who is currently studying at Einar Granum art school. She will paint Oslo’s first queer-positive mural for Løkka-Lykke.
Location: Marstrandgata 12
Salke (@salkeone) is a self-taught visual artist who started with graffiti at just ten years old. He is represented by Fineart Gallery and has recently launched his own streetwear brand NOW 今 IMA in addition to completing his studies at Strykejernet art school in Oslo.
Location: Københavngata 4
SLAM (@nkt_dnvn) is a street artist from Chernivtsi, Ukraine, who currently lives in Løten, Norway. From a young age he enjoyed drawing and painting before he became interested in the format, scale and visibility of graffiti and street art.
Spanish artist PEJAC has just completed his latest intervention for this year’s Nuart Aberdeen Festival, which took place between the 9th and the 12th of June. This is the artist’s second invitation by Nuart, and this year PEJAC played with the festival’s theme of reconnecting the city and its people.
PEJAC chose the entrance of a building in the very centre of the city of Aberdeen, Scotland, for his outdoor project ‘WELCOME’. The property was specifically chosen because it hosts many charities and homes for vulnerable residents facing social exclusion.
Pejac’s idea was to bring a doormat to the entrance that read ‘WELCOME’. In PEJAC’s style, you need to look closer to find the multitude of tiny figures that make up this doormat. The tiny figures come together to stand for every aspect of the WELCOME concept, the meaning of which has been increasingly hard to find recently.
The message is one of dignity and understanding. Those who have been pushed to the margins of society can recognise the importance of an open and heartfelt welcome more than anyone.
It reframes the potential of those who have been discriminated against and, in some sense, stepped over by society, presenting them as united and proud. They are “Tired of being stepped over”.
The ‘WELCOME’ doormat can be found at 41 Union St, Aberdeen AB11 5BN, United Kingdom.
Launched in 2009, Welling Court Mural Project has transformed Welling Court and its surrounding blocks in Astoria, Queens into a welcoming, wondrous open-air gallery. Under the curatorial direction of Allison Wallis, a diverse range of artists are now busily bringing their talents and visions to Welling Court in preparation for this weekend’s festivities. When visiting on Monday evening, I came upon several artists at work and a few newly fashioned murals. Pictured above is artist, curator and arts educator Alice Mizrachi with spray can in hand. Several more images follow:
The legendary Lady Pink, close-up from her almost-completed mural
Another detail from Lady Pink’s hugely impressive and uplifting mural
Japanese artist Shiro brings new vibes to her old spot
These next few days will bring many more artists to Welling Court culminating this weekend in a two-day festival. Featuring live painting a marketplace and more, it will take place June 25 and 26 from 11 a.m. to 7 p.m. at 11-25 30th Avenue.
Text by Alberto F. (English translation by Mark Dix)
Following up from the sold-out "You Can't Always Win", the latest publication by renowned photographer Edward Nightingale is dedicated to Berlin subway graffiti, specifically to the recent history of the DRM group. MTN World has been lucky enough to get its hands on an advance copy which we break down in this review.This book is available at Montana Shop Barcelona, Madrid.
First of all, a quick introduction to the main names that feature in the publication.
Edward Nightingale is possibly the best photographer of graffiti on trains today, a field of photography that was established when Alex Fakso published "Heavy Metal" in 2006. The expertise and sensitivity of Nightingale have made him an eminence in the field, thanks to his intense and incessant output that has led him to participate in projects with famous names in international train writing such as Taps and Moses.
In the 1990s, the DRM crew made its name in the Berlin train graffiti elite, evidente in the book “Ruzd79 The Ultimate Blackbook” by Florian Gätcke (2007) which told the tale of the late writer. Among all the secrecy that characterizes the dimension of graffiti on trains and subways in Berlin, the crew has contributed much to the European scene through the work of Azur, Soul and Acid79, in addition to Ruzd himself - writers who established the foundations of what we consider today the traditional style of the German capital aalso see throughout the rest of the country.
Technical details:
Measurements: 23 x 29 cm
Pages: 320
English language
Paper weight: 150 g
Background
After a decline in the collective's activity due to the responsibilities of adult life, in 2016 the DRM decided to go back to doing what they love the most: painting the Berlin subway. The photographer Edward Nightingale accompanied the group on many missions until the year 2020, and the best images were compiled in the book, including the final pieces and the underground context associated with the interventions.
What’s in the book?
The particular collective portrait configured by Edward can be divided into 3 themes, shuffled throughout the book: the underground locations, the photographs in action and the pieces in circulation. Three incentives that, together with different texts, make this publication a complete work that presents in an impeccable and sophisticated way the different dimensions in which this type of graffiti becomes enormously interesting, even in the eyes of non-writers. The landscape photos provide the highlights of the German photographer's refined vision, with his peculiar atmospheric and geometric tricks of light. The action flicks immerse us in all the adrenaline and pleasure of the missions and the pieces are photographed with a perfect balance between the visibility of the work and the photographic composition full of meaning and poetry. If this weren’t enough, the book stands out because of the quality of unpublished graffiti included in the volume. The texts are written with a marked poetic character, evoking the complicated feelings of the conflict between a misunderstood passion and the commitments of life in society: heartbreaking emotional autopsies, not suitable for all readers, that explain the balance between melancholy and self-improvement.
Design Details
The Deutsche & Japaner studio is in charge of shaping this editorial production and it does so in a sensational way: an impeccable layout that gives prominence to the images, whilst granting importance to the texts with its clever design , previously unseen in books like this. A blue hue frames the book, a direct reference to the particular blue fluorescents that you find in the underground parking lay ups of Berlin, but also to International Klein Blue, thus making a nod to the concept of "action painting" in contemporary art. The book is covered by a plastic cover decorated with a border that mirrors the grille of the vents, giving a point of sophistication to the intricate cover that includes reliefs and different finishes. The publication comes wrapped in elegant black paper that suggests a work of art whose value will surely appreciate when it sells out. The quality of the presentation and materials easily justify the book’s price tag.
The best thing about it? As well as the technical quality of the publication which allows you enjoy the photographs in a unique way, the book includes unpublished pieces by Mad whose style makes you travel through time and space.
And the worst? Although the book is full of pieces, you’re left wanting more!