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TUKE has an extremely well-balanced letter structure that is a mixture of simple chunky letters with a hint of technical sharpness. Check out who he mentions as his favorite writers below!
https://sprayism.com/008-your-favourite-artists-favourite-artists-tuke/
The post SPRAYISM – YOUR FAVOURITE ARTISTS’ FAVOURITE ARTISTS: TUKE appeared first on Bombing Science.
The importance of color in graffiti is often taken for granted. Every day we take in an infinite amount of pieces where colors —combined more or less skillfully— capture and captivate our attention. But sometimes the result in terms of the chosen color range does not depend only on the dexterity or courage of the piece’s author. Conditions like the one we are going to talk about make the finish of a piece seem surprising to us. Today we are talking about color blindness.
In short, color blindness can have an impact on a person's daily life, but despite the challenges it poses, there are tools and techniques available to help people cope with this condition. But how does it affect graffiti writers? To answer those questions we spoke to 4 colorblind writers and here's what they had to say. Discover their stories with us and if you suspect that you may suffer from a certain degree of color blindness, at the end of the post you can take the Ishihara Card Test.
Do you try to choose a range of colors based on the perception of the non-blind? Mostly on non colorblind people. Do you recognize the pieces of other colorblind writers by their colors? Nope , but I don't know any other colorblind writers myself. Are there writers that surprise you with their chromatic choice even though you know that what they perceive is not what has been painted? Yes there are some people , with real cool color combos in my eyes , I like bright colors and white outlines. I need big contrasts between the colors! 
Do you try to choose the range of colors based on the perception of non-colorblind people? Absolutely not, I never asked myself that question. Most of the time, I paint walls with recycled paint, so I don't really choose the colors. For example, right now I have several cans of green paint, so all my last walls are green, I usually add colors that go around it. What's important to me is contrasts of light/dark, warm/cool, pastel/vivid, so if I only have green and I want to paint a penguin, I don't mind painting it green. What is important for me is that there is a harmony in the end and that is mostly a question of feeling. Do you recognize other colorblind writers' pieces by the colors in the piece? No, I don't think so, but I've never asked myself the question. It happened to me many times that writers with whom I paint regularly, when I told them that I was colorblind, answered me 'aaaah now I understand better why you choose strange colors'. I don't see the difference, there is nothing weird for me. I also know a lot of these writers who are not colorblind but who don't understand colors and can't create original harmonies. Are there writers who surprise you by their color scheme even though you know that what you perceive is not what is painted? What I see is what is painted. I don't feel like I'm seeing 'fake' at all. However, it is true that I see less colors than others, for example I see few shades of purple, I distinguish less browns - but I believe that a good harmony of colors would also work in black/white. It must also be said that for me the colors are not very important and that is not where we can really innovate. I compare it with music, the harmonies (chords) used are the same for a long time, and there are no new ones. What counts is what makes up the style; the references, the humor, the noise, the voice, etc… 
Do you try to choose the range of colors based on the perception of non-colorblind people? I improvise the color ranges on the actual wall. I can't take the colors in my head from home (as I see most people do). That’s impossible for me. If I see some colors from a piece, I don't know what they are, I couldn't copy them. In fact if I look at my own pieces from a long time ago I couldn't tell you the colors. Do you recognize other colorblind writers' pieces by the colors in the piece? Impossible for me. When I look at people's pieces, I would barely be able to get a single color right. Are there writers who surprise you by their color scheme even though you know that what you perceive is not what is painted? There are many people whose colors I am amazed with, but I give more importance to the shape of the letters and how they fit on the wall. Many times, when I paint, I use only a few colors. I like the letters to look nice and clear (and if it doesn't look good, too bad). Out of all the people I've painted with, Sune is one of the ones I like the most when it comes to adding colors, and it’s surprising the level of improvisation involved when it comes to adding them. 
Do you try to choose the range of colors based on the perception of non-colorblind people? I never tried to overtake color ranges or schemes of other writers. I realized that my pieces will not work with that. Most important thing is the 'bright and dark' factor. Between that spectrum colors are not so important for me. The shining effect when it is finished is the point. If the piece is yellow or blue based it does not matter for me. I always hope that colors are burning at the end. Sometimes i seriously fail! Sometimes it burns.. Do you recognize other colorblind writers' pieces by the colors in the piece? I do not recognize strange colors of other writers. I like the pictures or not. At the end you are 100% free with your choice but my tendency is the more color, the better... maybe because I detect 20% less of that what happens on the wall! Are there writers who surprise you by their color scheme even though you know that what you perceive is not what is painted? Of course there are plenty of stylers that color schemes I like! And I will never can watch them as you can do. Most interesting is the hyper realistic spraying in order with colors. I could not do one shadow right. 
You can do the test here.Alright so thanks for taking the time out to do this interview, can we get a brief rundown of who you are and how long have you been in the game? What crew do you rep and how did you get the name Euphoric?
What up Bombing Science !!! I Write ” U4EK “. From Time to time I’ve spelled it a few different ways: U4EK, Euphoric, Euphoria. Lately, I’ve been experimenting more with the full word, I’ve been Painting for about 10 years and have been in a handful of crews WEIGHED DOWN, CAT CULT, JHFCREW, and now SEVENTH LETTER.
1st clip of yours I saw was of your recent trip to Austin, as a Texan, it’s cool to see the graffiti spots of Austin get covered! I like how you make mini-documentaries of your time there, it’s pretty cool how did you get the idea to use the Instagram format that way? It seems obvious but I actually don’t see a lot of graffiti guys doing it the way you do.
TEXAS was Badass!! Electric scooters and Dank ass BBQ ! One of my favorite trips so far. Everything but that Heat! Texans are wild for painting in that Heat! As far as the videos go I guess I’m just getting lucky! Always Making Skateboarding videos as a kid and watching them religiously Has definitely had some influence on the ZOOM and Quick fast clips. Almost all my videos are just clips I’ve saved from making stories throughout the trip and then just smash them all together.
One of my favorite pieces of yours you called “mushroom bar style”, its really unique, make sure to include it in your photos that you send. What was the inspiration behind this style? Do you look at other guys work and then try to create from a reaction of that or is this something that’s purely coming from you?
I actually did that piece on a Mushroom Chocolate Bar lol, Hence the name! I ate the whole bar and just went for it! I’m glad I got the sketch down before it really started kicking in. I think everyone gets influenced or a reaction from seeing other people’s work I sure do. But this one was definitely just freestyling. Had to remind myself half the time what was even going on!
Your work is a lot of fun, you got lots of different ways to put your art out there for people, with t-shirts and whatnot. What all do you sell to your followers? Do you do custom commission paintings as well?
I’m putting together an online store to open later this year that will have a lot of collaborative pieces I’ve worked on. Definitely have some T-shirts, Prints, Basketballs, Cassette Tapes, Magazines, Vintage Toys, Stickers ETC. YEAH! I’m down to take on anything that comes my way if anyone wants to reach out and work with me let’s get it!
What is your favorite documentary or book that covers the history or major players of graffiti and why?
I feel like I’ve seen most of the classics. Reading Subway Art or watching Style Wars, finding older VHS clips Deep on the internet. they always Just make me wish I had been born earlier, I always Watch “State your Name”, “Infamy”, “War 42 ” or some early 2000’s Youtube Videos to get pumped. I feel like I can identify more with newer videos and things I’ve read in the last few years. I’m reading this book from TAPS & MOSES at the moment definitely cool to hear stories about Graffiti in other countries.
Are you completely educated just from doing street art or did you go to school for design? Does your day job include your creativity as well or is graffiti the avenue for that only?
Street Educated, learning from friends growing up and just going outside and getting it. Seeing older homies going threw the motions taking us on missions learning the lingo, Racking, Bombing, and trips to LA. The internet was also a major tool once I found out a few things to search it was game over. Definitely fell in love with art and graffiti and it hasn’t stopped. A few years back I took a design class for illustrator, got the hang of it quickly, and dropped out. Now it consumes my everyday life as a graphic designer.
With the way you get after it, I assume you do this full-time? What’s it like looking back to your past when what you do now daily seemed like a distant dream? Do you think it’s easy to take it for granted?
Oh man I wish I could paint every day, I’m a full-time dad now lol I’m grateful to paint a few times a month or when I get a good mural gig, I really try hard to do something new and better than the last time always pushing new styles, its definitely a dream come true didn’t think I was gonna be where I’m at today really grateful too be able too to design on the computer for work and just be able to express myself in the way that I do, could easily just be a warehouse worker hating life not doing anything creative.
What kind of advice or lessons have you learned that you wish you had known at the beginning of this journey? In other words, what would you say to someone following this path of graffiti, any advice?
“Freeze” Means RUNNNNN !!! , Naw but definitely don’t get caught up in being dumb. Always keep your eyes open! Graffiti isn’t for everyone, try and keep a good set of friends around you if you. Love something always fight for it 100%, Dont work at a warehouse stacking boxes if you love ART and Graffiti. Find something that will keep you on the path to your GOALS anything else will hold you back.
As far as travel goes where all have you been? Any crazy travel stories you can share?
Been traveling a little more the last year or so. Texas, Minnesota, Baltimore, Philly & Florida. I really like going to Art Basel I’ve been going a few years in a row now. When the whole pandemic thing hit I ended up getting sick on vacation down there. Still trying to paint, I pushed through and went out for the night, but no one was around this year. I don’t think there were any events going on, Total Lockdown. Ended up getting arrested doing a streetside roller, the cops were so shook of the virus stuff that they legit didn’t want me in the car or even next to them. I had a nasty cough, no mask, and was covered in bucket paint. They didn’t even want to touch the buckets or extensions and just let me keep going saying they’ll let the next guys get me. Got super lucky I guess. Finished up and got me a Cuban sandwich.
Any shout-outs you would like to give? Where can people follow you and purchase your work?
Shouts Out – Bombing Science, RD Artist supplies, Hotpockets, The Big Homies, Eklips Msk, My MOM, and your MOM. You can catch my new website and online store dropping this Fall but for now, follow me on Instagram @tv.dinner & if you wanna buy anything or collab on something just holler at me!
The post Graffiti Interview: Euphoric appeared first on Bombing Science.
Montana Colors is back with a new limited edition aerosol. The multidisciplinary artist from Los Angeles, Mister Cartoon, is responsible for giving color to this unique collection can, which, starting today, becomes a fetish object of Chicano culture and LA imagery.
It's not the first Limited Edition that Montana Colors has launched with Mister Cartoon. It's been 14 years since the Angelino artist created what would be his first numbered MTN can. The design in question, much more ornate than its predecessor, uses Violeta Cosmos as the main color for both the content of the spray and the composition. Mister Cartoon marks his return to the MTN universe with a noteworthy new design.
“At the time, in the 80's it was all about where you fit in, in hip hop. ‘Are you a breaker? Are you a rapper? Are you a locker? Are you a writer?’ And I was like, ‘I love breakdancing and all that shit, but I couldn't hang. But I could draw."
Mister Cartoon, "LA Originals", 2020
Mister Cartoon triptych and installation at Beyond The Streets exhibition in Saatchi Gallery, London.
While driving through the central Spanish city of Illescas, we came upon a huge abandoned property covered with a captivating array of graffiti art. Pictured above is one of the many handsomely crafted burners. Several more artworks in a range of styles follow:
Unidentified artist
Graffiti production by unidentified artists
Unidentified artist
Varied bombs and markings
And on a different note — Jesús Moreno
Photos of artworks by Sara C Mozeson and Lois Stavsky
World-famous Banksy has shared images of a stencil titled “Morning is Broken” on his instagram page this morning. The artwork had been stencilled on the side of a derelict 500-year-old farmhouse near Herne Bay, Kent.
The cute piece shows the silhouette of a child drawing back the ‘corrugated iron’ curtains with their pet peering round the corner.
However, in a Banksy twist, demolition trucks have already torn down the building! The site, previously owned by Blacksole Farms, is getting prepared for 67 homes.
Morning is definitely broken!!
The post Morning is Broken by Banksy, Kent 2023 appeared first on GraffitiStreet.
“Power rarely falls within the right hands.”
In the latest threat to the safety and human rights of Iranian girls and women, almost 700 girls, since November, have been poisoned by toxic gas in their classrooms in an apparent attempt to obstruct their access to education. No girls have died, but dozens have suffered respiratory problems, nausea, dizziness and fatigue.
Visual artist and printmaker Aida Wilde references her own experiences of displacement, loss and trauma – having fled Iran during the war with Iraq with her mother and sisters – whilst connecting this with the experiences of countless others.
Her latest powerful large-scale work marks International Women’s Day. In the foreground of Wilde’s wild posted triptych, the hands of her mother and younger sister are raised in iconic gestures of resistance atop marble pedestals – on a monumental magnitude often reserved for celebrating men’s histories.
The bold text etched on the plinths arrests the viewer by invoking a direct call to reflection and action – via slogans reminiscent of Jenny Holzer’s iconic street-based work:
Wilde’s older sister is the eminent Iranian poet Ziba Karbassi. Here, Wilde arms her sister’s hand with a quill, connecting her own street-based public visual intervention to Karbassi’s quiet – but no less powerful – poetic acts of resistance:
The background to the work is densely woven with the names of just some of the thousands
of women and girls who have been murdered in the struggle against Iran’s oppressive
theocratic regime.
In acknowledgement of the uprising sparked in 2022 by the unlawful death of Mahsa Amini, the names of Iran’s manifold victims of gender violence rain down softly on Wilde’s plinths, and rise in a ghostly stream from the poppy fields at their base -honouring and humanising the countless women and girls lost to this ongoing state-sanctioned femicide.
“This is the first time that I have incorporated all of my family in one piece of
artwork. From our arms that have loved, lost and silenced, this is for ALL the mothers, sisters, brothers and fathers around the world, who have suffered oppression, violence, injustices and bloodshed. May our tears and suffering not be in vain. May we be united by peace in the fight for justice.” Wilde
Wilde’s street-based triptych can be found on the walls of the cities of London, Bristol and
Manchester for International Women’s Day.
Collaborating with the original wildposting company UNCLE and OllyStudio, with creative direction from Olly Walker and Susan Hansen.
Photo Credit UNCLE
The post The Silence From The Veil, Aida Wilde, IWD 2023 appeared first on GraffitiStreet.
